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Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air. At this the laughter grows universal, Geoffrey and Nicholas positively distinguishing themselves in this line, when just at the very height of their mirth the door opens, and Violet enters, followed by Captain Rodney. "Why should I despise you?" asks she, slowly, opening her eyes..
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Conrad
The fourth dance has come to an end; cards are full; every one is settling down to work in earnest; already the first touch of satisfaction or of carefully-suppressed disappointment is making itself felt. "But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it." A branch of a tree overspreading the water catches his attention. It is not strong, but it suggests itself as a means to the desired end. It is indeed slim to a fault, and unsatisfactory to an alarming degree, but it must do, and Geoffrey, swinging himself up to it, tries it first, and then standing boldly upon it, leans over towards the spot where the fern can be seen. "That is just what is so noble about Nicholas," returns Doatie, quickly. "He supports him, simply because it is his own quarrel. After all, it matters to nobody but Nicholas himself: no one else will suffer if that odious black man conquers.".
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